Milan. A garden. Donatella Versace across the table. And Emily Blunt - gloved in French gray leather, styled in Dior - sitting at the center of the most talked-about scene in fashion cinema this year.
This is the moment. And SEYMOURE is front and center.
In the turning point of The Devil Wears Prada 2, Emily Blunt's character is exposed. Her fiance is buying Runway. Miranda Priestley is being pushed out. And as Anne Hathaway races in to confront her at that luminous Italian luncheon, the camera finds her hand - and the French Gray Women's Leather Driving Glove is there, loud and clear, impossible to miss. Along with the most powerful names in fashion. On the hand of the most riveting woman in the room, Emily Blunt.
SEYMOURE is the official gloves of The Devil Wears Prada 2.
Why Molly Rogers Chose SEYMOURE
Molly Rogers has taken the position of the hottest costume designer working in Hollywood right now. Her fingerprints are on the looks that define the cultural conversation - from And Just Like That to now, The Devil Wears Prada 2, a film starring Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt, shot across New York and Milan.
When Molly began building the wardrobe for this film, she pulled over twenty SEYMOURE styles. In the professional world of luxury design, you pull what you trust - and you trust what delivers. She has worked with SEYMOURE before. She knew what she was getting. SEYMOURE is in partnership with her mentor Patricia Field - and Molly knows that anything Patricia Field puts her name behind holds up far beyond the frame. It holds up in craft, in culture, and in the kind of legacy that gets referenced for decades. SEYMOURE is a glove that does not disappear into a look but defines it.
For the scene set around a luncheon with Donatella Versace - the woman who inherited one of the greatest fashion dynasties in history, kept Versace not only alive but ferociously relevant, and remains to this day one of the most powerful figures the fashion world has ever produced - Molly was not reaching for good enough. She was reaching for the best. A lunch with Donatella Versace demands nothing less. And that is exactly what SEYMOURE delivered.
Of the styles pulled, a fingerless black crystal-studded SEYMOURE glove appears briefly on Anne Hathaway in the New York opening - and then vanishes in the next cut. A SEYMOURE black runway glove flashes on an assistant walking through Milan - blink and it is gone. But the French gray driving glove? It held the frame. It earned the scene. It became the iconic image as it would. Milan, Donatella, Emily, and SEYMOURE.
Evidence of the quality behind the product. The right glove on the right hand at the right moment.
The Patricia Field Throughline
SEYMOURE's connection to the Devil Wears Prada universe did not begin with Molly Rogers. It began with Patricia Field.
Patricia Field is the original costume designer of The Devil Wears Prada and one of the most influential forces in fashion history. She is also the reason SEYMOURE exists in the cultural vocabulary it does today - most notably through the Emily Glove, a collaboration that announced SEYMOURE to the world on Patricia's terms. Patricia got SEYMOURE initially seen, but the craft and the excellence keeps us there.
Patricia and SEYMOURE founder Melissa Meister share a history that goes beyond professional respect. They appear together in the acclaimed Happy Clothes: A Film About Patricia Field - now streaming on Apple TV - along with Molly Rogers, at which time Molly was brought into the world of SEYMOURE.
It is Patricia who understood, before anyone else did, what a SEYMOURE glove means. Pat fell so in love with the Emily Glove that she named every color after her own legendary body of work. The Devil Red from The Devil Wears Prada. Taxi Yellow. Paris Black. Central Park Green. Hot Pink Stuff. City Sky Blue. Each one a chapter of her career. Each one unmistakably Pat.
The throughline from the Happy Clothes documentary and the original Devil Wears Prada to this sequel and Molly is not a coincidence. It is a legacy. And SEYMOURE is making its place in this legacy.
SEYMOURE Does Not Just Show Up. It Shows Up Every Time.
The Devil Wears Prada 2 is not the first time SEYMOURE has been at the center of a cultural moment. It is the latest in a pattern that keeps repeating because SEYMOURE keeps delivering.
Film. Television. Music. The runway. The Instagram scroll. The sketch-to-screen moment. The trailer played on repeat. Wherever fashion and culture intersect at their most electric, SEYMOURE is there - on the hands of celebrities, fashion editors, and the stylemakers who decide what the season looks like before the season begins.
Frequently featured in Vogue, Vanity Fair, and GQ, SEYMOURE has built a presence that belies its boutique size. The moment keeps finding the brand because SEYMOURE is number one in the luxury glove category.
Central to that presence is the [SEYMOURE Studio Services program] - an exclusive offering for costume designers, stylists, and stylemakers who create the looks that outlive the projects they were made for. Through Studio Services, industry professionals access SEYMOURE's current collection or commission fully bespoke pieces built to the precise demands of their vision. Molly Rogers came through that door. So have other professionals. The door is always open to professionals who carry the same brand values as SEYMOURE.
The Glove at the Center of the Most Anticipated Fashion Moment
The French Gray Women's Leather Driving Glove is not a fashion accessory that waits for a season. It is a year-round statement - the kind of piece that transforms an outfit from dressed to definitive.
Made from ethically sourced Italian leather, each glove is individually table-cut by hand. The technique comes from the great French gloving houses - and it has not changed because it cannot be improved. The cut is everything. It determines the fit, the line, the way the glove moves with the hand rather than against it.
The PK stitching is what separates this glove from anything mass-produced. A European technique executable only by a master craftsman, PK stitching is precise, deliberate, and irreproducible by machine. It is the detail you cannot see in a photograph but feel the moment the glove is on your hand.
French gray is a color that does not perform. It simply is. Against the warmth of a Milan afternoon, against Dior, and against the drama of a scene that the whole world is about to watch - it reads like authority. Like a woman who already knows how this ends.
